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Tassili n'Ajjer

Tassili n'Ajjer

DesertsAlgeriaIllizi,Algeria

An Algerian sandstone plateau of towers and three hundred arches carrying fifteen thousand prehistoric paintings — giraffes, elephants and swimmers, from when the Sahara was green.

September·Closed

May–Sep

Guided multi-day expeditions are the only permitted way onto the plateau, and they do not run through the Saharan summer. Daytime heat tops 45°C, which makes the trek dangerous. The rock art stays out of reach until October.



Year-round The 15,000 prehistoric paintings, sandstone pillars and stone arches are here year-round; multi-day treks run through the cool months, camping under star-thick skies.

Tassili n'Ajjer holds one of the largest galleries of prehistoric art on Earth: more than fifteen thousand paintings and engravings across a sandstone plateau in southeastern Algeria. The oldest are some twelve thousand years old. What they show is the surprise — giraffes, elephants, hippos, herds of cattle and people swimming, painted when the Sahara was not desert but green savanna laced with rivers and lakes. The Tuareg name means plateau of rivers, and the art records the slow drying that turned that grassland into the desert we know. The rock itself is carved into towering pillars, nearly three hundred natural arches and vast fields of stone that glow copper at sunset and pale pink at dawn. The plateau stands well above the sand around it, and the shelters holding the paintings are scattered among its towers. Reaching the art is a journey in itself. From the oasis town of Djanet, Tuareg guides lead multi-day treks on foot and by camel up onto the plateau, at the desert's own pace. Painted shelters hide among the towers at Sefar and Jabbaren, including human figures far taller than the people who come to look at them, and the famous Running Horned Woman. Tassili became a UNESCO World Heritage Site in 1982, and it can only be entered now with a permit and a licensed guide, on expeditions that usually run a week or more. Trips go in the cool months; the plateau is unbearable in high summer. It sits far from Algeria's troubled borders and counts among the safer corners of the southern Sahara, though the park closes in unstable times.

Worth knowing

Good to know

  • The cool, dry months from November to February are the only comfortable window — summer heat on the open plateau is dangerous, and even winter nights turn bitterly cold, so pack real layers.
  • You cannot visit alone — the plateau is entered only on a guided expedition booked through an approved agency, and photographing the rock art needs a separate permit arranged in advance.
  • Never touch or wet the paintings — early copyists damaged them by dampening the rock to brighten the colours, and the pigments are fragile, so keep hands and water well away.
  • You will likely have it almost to yourself — the remoteness, cost and permit process keep visitor numbers very low, so painted shelters and whole valleys often stand empty and quiet.

Things to do

  1. 1

    Cross the plateau by camel caravan

    Cross the plateau by camel caravan

    Everything for the trek goes up on the camels — water, food, bedding and fuel — because nothing is bought or resupplied once you are on the plateau. Camp is made where a rock wall breaks the wind, and the guides cook on a fire. After dark there is no settlement within hundreds of kilometres, so the sky fills edge to edge and the silence is total.

  2. 2

    Read a single painted panel at Sefar

    Read a single painted panel at Sefar

    Nothing at Sefar is framed, labelled or lit; you stand at the shelter wall and pull the images apart by eye. The oldest layer is Round Head work — huge, blank-faced figures — and later herders painted their cattle straight across them, so one panel can carry two or three separate ages at once. Learning to tell which line belongs to which is the whole exercise.

  3. 3

    Walk the stone forest between the shelters

    Walk the stone forest between the shelters

    The painted shelters are scattered rather than clustered, so most of each day goes on the ground between them, among eroded sandstone towers with close to three hundred natural arches worked through the rock. The route winds through narrow gaps and then opens into bare basins. Getting from one panel to the next is half of what you see up here.

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