The Centre Pompidou hides nothing: its water pipes, air ducts, electrical conduits and escalators all cling to the outside, colour-coded like a working diagram, so the galleries within can stay open and free of columns. A caterpillar of glass tubes zigzags up the west face. The sloping piazza below fills with jugglers, sketch artists and people just sitting on the stone. A small square on the south flank holds the Stravinsky Fountain, sixteen black machines and bright cartoon figures spinning in shallow water.
It is closed at the moment. The building shut on 22 September 2025 for a five-year overhaul and reopens in 2030, so neither the escalators nor the galleries can be visited and the collection is showing at partner venues. When it opened in the late 1970s Parisians compared the glass-and-steel frame to an oil refinery dropped into a medieval quarter. Renzo Piano and Richard Rogers were young and barely known when their inside-out idea beat hundreds of rivals. It holds the largest collection of modern art in Europe.