The Institut du monde arabe is Paris's museum and cultural centre for the Arab world, and its south wall is the reason most people notice the building. It is made of 240 metal screens, each a grid of irises that open and shut like a camera shutter. Inside are galleries of Arab art, a library, exhibition halls and an auditorium. A lift runs to an open terrace on the ninth floor, level with the rooftops, and from there you look across the river at the east end of Notre-Dame and its ring of flying buttresses.
The wall was supposed to work like an eye. Light sensors would open and close the irises with the sun, so the south face changed through the day. It never really did. The mechanism failed in the early 2000s and the screens stood still for about fifteen years, which is how most people who came in that time remember them. Engineers rebuilt every panel in 2017 and they move again — but slowly, at set moments, rather than with the sun. To catch them working you have to be there at the right hour rather than simply turning up.