The Palais Garnier is an opera house built to be looked at as much as listened in. The Grand Staircase is the main event, a double sweep of white and green marble arranged so that the audience could watch itself arrive. A seven-tonne chandelier hangs over a red-and-gold horseshoe auditorium, crowned since 1964 by a Chagall ceiling of floating lovers and composers. The Grand Foyer runs long and mirrored, chandelier-lit, built to rival Versailles. Coloured marble, gilt bronze and a facade crowded with muses cover every surface outside.
An 1858 attempt on Napoleon III's life convinced the emperor he needed a grander, safer opera house. A little-known architect, Charles Garnier, beat 170 rivals to the commission and spent fourteen years on it; asked what style it was, he reportedly answered simply, Napoleon III — his own. It opened in 1875, and opera houses from Warsaw to Manaus copied its lavish Second Empire manner for decades. Below the stage sits the water tank that fed the Phantom legend. The ballet mostly performs here now, and between shows you can wander the foyers.