Castel Sant'Angelo owes its name to an archangel said to have appeared over its roof. Hadrian raised it around 139 AD as a drum-shaped mausoleum for himself and his heirs, a cylinder of brick and travertine on the Tiber's right bank. When the empire faded, its sheer mass made it a fortress, and popes claimed it, walling it into the Vatican's defences and threading an elevated corridor, the Passetto, from their palace to its keep. In 590, as plague gripped Rome, Pope Gregory reportedly saw the Archangel Michael sheathing his sword above the tomb; the castle took his name, and a bronze angel still crowns it.
The climb takes you through all of those layers in one go. A spiral ramp built for Hadrian's funeral winds up past prison cells and frescoed papal rooms to a terrace where the city spreads out and the dome of St. Peter's stands directly ahead above the rooftops. This rampart is where Puccini's heroine Tosca throws herself to her death. Below, angels modelled on Bernini's designs line the footbridge across the river.