Castel Sant'Angelo is a drum of brick and travertine on the Tiber's right bank, and the climb takes you through every one of its lives in one go. A spiral ramp built for Hadrian's funeral winds up past prison cells and frescoed papal rooms to a terrace where the city spreads out and the dome of St Peter's stands directly ahead above the rooftops. A bronze angel crowns the top. This rampart is where Puccini's heroine Tosca throws herself to her death. Below, angels modelled on Bernini's designs line the footbridge across the river.
Hadrian raised it around 139 AD as a mausoleum for himself and his heirs. When the empire faded, its sheer mass made it a fortress, and popes claimed it, walling it into the Vatican's defences and threading an elevated corridor, the Passetto, from their palace to its keep. In 590, as plague gripped Rome, Pope Gregory reportedly saw the Archangel Michael sheathing his sword above the tomb, and the castle took his name. From the ramparts you can still trace the Passetto running arrow-straight across the Borgo rooftops toward St Peter's.