Mehmed II laid Topkapı Palace out in the years after his 1453 conquest of Constantinople as a sequence of walled courtyards, gardens, and low pavilions on Seraglio Point, where the Golden Horn, the Bosphorus, and the Sea of Marmara meet. There is no single grand facade here; the palace reveals itself one courtyard at a time. For nearly four centuries it was the seat of Ottoman power and the home of the sultan's household. A few thousand people lived and worked inside the walls, so the palace ran as a self-contained city, with its own kitchens, mosques, and mint, and with the secluded quarters of the Harem set apart within it. Each courtyard grew quieter and more restricted than the last, until only the sultan's closest circle passed the Gate of Felicity.
Today you walk it gate by gate, from crowded outer courts into cool, tiled rooms where the noise of the city drops away. The Treasury holds an emerald-set dagger and a diamond the size of a walnut; the old kitchens display Chinese porcelain by the thousand; a marble terrace opens without warning onto the Golden Horn. Since 1924 the palace has been a museum, and the Sacred Relics rooms—where a reciter still reads the Quran aloud—remain among the most hushed spaces in the city.