MAAT is two buildings on the Belém waterfront: a brick power station you walk through the inside of, and a low white gallery beside it. In the power station you pass between boilers three storeys high, along the coal conveyors that fed them, and past slate control panels with brass switches still set where the last shift left them. Nothing was taken out when it stopped generating. The white building next door is a low curve of white tile against the brick.
The brick hall was finished in 1919 around a small generating plant and enlarged again through the 1930s, and it burned coal to light a capital city. The national grid eventually overtook it: first a stand-by, then nothing. The white gallery beside it opened in 2016 as a museum of art, architecture and technology. That pairing is the reason to come. Belém behind you is monuments. This stretch of the river is the plant that actually ran the twentieth-century city, and you can walk from the boiler floor out onto the white roof in a couple of minutes.