The Vienna State Opera keeps one of the heaviest schedules in opera: fifty to sixty different works a year, with the programme changing almost nightly. Behind the arcaded balcony over the entrance, the auditorium curves round in a horseshoe of red and gold. It opened on 25 May 1869 with Don Giovanni, the first of the great Ringstrasse buildings to be finished, and its reception was brutal — critics said the low Renaissance-revival block looked like a sunken chest.
Vienna repeated the insults for years, and neither architect lived to see the house open: Eduard van der Nüll took his own life, August Sicard von Sicardsburg died ten weeks later. It has run under Mahler, Strauss and Karajan since, broken only when an air raid burned out the auditorium and stage in March 1945 and left the front standing. It reopened in November 1955 with Beethoven's Fidelio. The auditorium that went back in holds 1,709 seats and 567 standing places, so on a full night a quarter of the room is on its feet. Every seat and every standing place has its own subtitle screen, so the words arrive in your own language at eye level.