Barcelona Cathedral is a broad, dim Catalan Gothic hall with a cloister full of geese. Thirteen white geese live in a courtyard of palms and orange trees beside a mossy Gothic fountain, ringed by chapels that medieval guilds paid to build. Inside the church the side aisles climb almost to the height of the nave, so it reads as one wide dark room rather than a tall narrow one. It is dedicated to the Holy Cross and to Saint Eulàlia, whose sarcophagus lies in the crypt below the high altar.
The lacy, pinnacled west front is barely a century old. It was paid for in the late 1880s and finished in 1913, worked up from a medieval design the church had never been able to afford. Behind it the building is far older: begun in 1298 and finished, cloister and all, by the middle of the next century, on the site of an earlier Romanesque cathedral. It is still the archbishop's working seat, and the old customs are kept: an eggshell dances on the fountain's jet at Corpus Christi, and a Christmas fair has filled the square since the 1780s.