The Istanbul Archaeology Museums are three buildings around one object: the Alexander Sarcophagus, a marble coffin carved on every side with Alexander and Persians locked in battle and in the hunt. It stands in the main hall, cut in deep, crowded relief, still carrying faint traces of its original paint. Rooms of classical statuary lead on from it, and the Sarcophagus of the Mourning Women sets eighteen grieving figures between columns, no two of them mourning the same way. The Ancient Orient wing beyond holds blue-glazed lions from Babylon's processional way.
Osman Hamdi Bey, an Ottoman painter turned archaeologist, dug the great sarcophagus out of a royal necropolis at Sidon and opened a purpose-built home for it here in 1891, beside Topkapı's outer garden. He also wrote the law that stopped antiquities leaving Ottoman soil, which is why so much of this stayed. A tiled pavilion of 1472 shares the grounds. Outside, columns, capitals and weathered sarcophagi rest under the trees beside Gülhane Park.