Beylerbeyi Palace so charmed Empress Eugénie of France that she had one of its windows copied for her palace in Paris. Sultan Abdülaziz raised this white marble residence on the Asian shore in the 1860s, never as a full-time home but as a summer retreat and a guesthouse for visiting royalty. His architect, Sarkis Balyan, worked here at a compact, almost intimate scale, a step down in size from the vast Dolmabahçe downstream. Bohemian crystal weighs down the chandeliers, and painted ships sail across the ceilings, a nod to the sultan's passion for his navy.
You enter a reception hall built around an indoor pool and fountain, the sound of water trailing you from room to room. Terraced gardens climb the hillside behind, past a magnolia grove and garden pavilions, while two small marble kiosks stand right on the sea wall, facing the current. A darker thread runs through the house: Abdülhamid II, the last sultan to wield real power, spent his final years here in guarded confinement and died in these rooms. Today the palace is a museum, and the first Bosphorus bridge passes just beyond its gardens, so traffic between the two continents crosses overhead while the nineteenth-century rooms below stay unchanged.