The Museum of Turkish and Islamic Arts keeps carpets knotted in Seljuk Konya two centuries before the Ottomans took the city — some of the oldest to survive anywhere. The collection began in 1914 as a rescue: scholars gathered manuscripts, carpets and woodwork from mosques and shrines across the empire before they could decay or be sold abroad. Since 1983 it has filled the İbrahim Pasha Palace, a heavy stone mansion from the 1520s built for the grand vizier and closest companion of Süleyman the Magnificent — one of the few private Ottoman residences of its age to survive in stone rather than vanish in wood and fire.
You climb through vaulted rooms into a long gallery where carpets hang like paintings, their reds and indigos deepened by age, some little more than fragments worn thin by centuries of prayer. Nearby stand monumental Qurans, doors inlaid with mother-of-pearl, and tiles glazed the colour of a kingfisher. Windows along the old reception hall open onto the Hippodrome below, the same ground where chariots once raced. A lower floor recreates nomadic life — black goat-hair tents and standing looms — closing the arc from wandering weaver to imperial court.